Some days are just plain hard. But God is powerful enough, loving enough and HERE enough to repair even the greatest brokenness.
On my worktable this evening, torn paper fringe, made from a vintage French book.
This fringe will be used for the same project as the tiny snowflakes.
The book, Le Voyage De Monsieur Perrichon, is in poor condition, which makes it suitable for use in crafts. The binding is tight and the paper not too brittle but the book has pen and pencil scribbles on almost every page. I was going to erase the tiny pencil marks but decided they added to the charm. The paper is soft, dusty and easily torn.
A couple months ago I made some beautiful coffee-dyed, wrought iron patterned paper completely by accident. I wanted coffee-dyed paper for a project so I boiled coffee grounds (about twice as strong as a usual pot of coffee) in water and let it steep about half an hour. I strained out most of the coffee grounds by pouring the mixture through a coffee filter and then added another couple tablespoons of instant coffee.
Even though it was spring, the sun was high in the sky and it was hot out so our cast aluminum, wrought iron-style table was hot. I figured all the heat would help the paper dry.
I dipped each sheet of drawing tablet paper into the coffee dye and let it drain a little against the edge of the pan. Within seconds of being laid on the table, the table design showed up on the paper! Here you can see the still-wet sheen of coffee on the paper.
I covered as much of the table as I could with the dipped paper and loved the variety of design on each sheet of paper.
I wish I had written down how long it took the paper to dry, perhaps half an hour. Once there were no more puddles on top, I flipped all the papers over to dry more. When I turned each sheet over, the design on the bottom looked amazing! It is beautiful on both sides but especially smooth and beautifully shaded on the bottom.
I will be using this paper to make handmade books and journals.
If you dye paper like this using a wrought iron table, please let me know how it turns out. Cast aluminum doesn’t rust so there was no rust residue on my paper. A wrought iron table might have a different effect on the paper.
The table surface was very hot. I haven’t experimented to see if this works on a cold table.
There may be coffee dripping from the paper so don’t do this over a deck surface that you don’t want brown drips on. There was very little coffee dripping from the paper because the day was hot and dry and the paper absorbed it very quickly and it didn’t matter to me if there were brown specks on my deck.
For years I made my own blank journals using a standard codex construction with fabric bound spine and hardcovers. The signatures were sewn onto cords or tapes and then glued into the hard cover. This site, Humblebee & Me, has an excellent tutorial for sewing signatures on tapes.
It’s been a few years since I made a handmade journal so I finally had time to make one a couple months ago. I followed Jeanne Oliver’s video for stitching the signatures together from her wonderful The Journey of Letting Go class online . (I highly recommend the class, not just for the terrific art instruction, but also for the heart-felt inspirational videos. Jeanne, you’re the best!) Jeanne’s stitching process for sewing the pages together was easy and fun.
I didn’t photograph the steps to stitch the text block together but here is how I made the Crown Journal cover if you want to make one. This is an abbreviated tutorial but there’s enough here to give you basic instruction to make the lace crown, which would look great glued to an altered book cover. If you want actual measurements, let me know in the comments and I’ll measure some of the components for you.
It was fun going through my stash of supplies to pull out some pretty options.
The dyed seam binding tape, blue sequin fabric, lace and rhinestone chain were from A Gilded Life.
To make the text block, I cut up a sketch pad.
The linen was purchased from sources online.
Both front and back covers were assembled the same way. Each cover has a piece of ivory linen and natural color linen, one small and one larger piece of chip board (cut from the back of a water color tablet) and a piece of thin cotton batting for padding under the ivory linen.
The batting is lightly glued to the small chip board square and then the ivory linen is placed over top of the batting. This piece is turned over and the ivory linen is glued to the back of the board, mitering the corners on the back.
The natural color linen is glued to the larger board without any batting.
Once the cover pieces are covered with linen, then you get to do the fun stuff!
I lay loose pieces of lace and rhinestone chain on the top of the book cover to see what I liked before gluing anything down.
I also tried several different lace pieces before making up my mind about the crown.
To glue such fine netting, I spread tacky glue on the flat lid of a plastic bin and then laid the blue lace in the glue… then quickly picked up the lace while still wet and smoothed it in position on the padded ivory linen.
There was just enough glue on the thin lace netting to glue all the tiny pieces down securely, with no edges pulling up and no glue squishing up. I want the lace to be durable because this journal will last me at least a year.
The back of this board shows how the edges of the linen and lace are glued down on the back of the padded ivory board.
To make a lace crown, choose lace pieces that will look like the points of a crown when placed together. I used three different pieces of lace. To curve the lace, cut small slits between the motifs of the lace as shown.
Here you can see where I snip the lace so it will curve better.
Once the lace is ready, glue the pieces together to form the crown.
Tacky glue is thinly spread on a smooth surface and the lace crown is carefully pressed into the glue.
While the glue is still wet, lift the lace crown piece up and carefully position it on the cover and press it down on the ivory linen. It dried fairly fast when I positioned it but I still pressed down in places to make sure it stuck well on all edges.
Cut rhinestone chain to size using jewelry cutters and glue it down with 527 Multi-Use glue or other strong jewelry glue.
I pressed my needle nose pliers into the book cover to make small indentations so rhinestones would set in deeper and more securely. These were glued with the 527 glue also.
The crown is complete.
The front of the book cover is ready for the next step.
While the glue was drying, I made the ribbon rose buds for the journal spine. A length of ribbon was tied to make a loose knotted ribbon rose bud. I made three of these.
To make a knotted rose bud, the ribbon is tied as if about to make a knot, but the ribbon is looped over and over 4 times, not just once like a standard knot. Then when the ribbon is slowly pulled tighter, the layers of wrapped ribbon overlap and form a pretty bud shape. If the ribbon is pulled too tightly, the flower shape disappears and turns into a big knot. So you have to stop pulling while the ribbon is still loose. The ribbon “tails” are folded to the back and then stitched together so the ribbon bud doesn’t come apart. I cut off the excess ribbon and gently fringed the short ribbon tail under the bud.
I ruffled a long length of seam binding tape to use on the front cover. Here it is pinned down on the larger natural linen-covered board as I adjust the ruffles to fit. But before gluing down the ruffle, I glued on the decorative top of the cover.
I spread tacky glue generously over the back of the ivory cover piece and pressed it down on the larger board.
Some of the glue squished out around the edge but that was good. I used my fingers and a pallet knife to press the folded ruffle into the glue. I used the ruffle folded in half all the way down the length for extra fullness. It was easy to press the center of the ruffled seam binding tape into the glue and it held well. I squeezed more tacky glue into any spaces that didn’t have enough to hold the ruffle well.
The back cover was different. Instead of a ruffle all the way around, I just pleated the four corners and let the seam binding tape stay flat on the sides. I glued this down before gluing on the back piece.
I cut a small motif from the blue lace and laid it in glue as for the front cover.
The glued motif was positioned and pressed down carefully, especially around the lace edges. Here is the finished back cover.
I glued a piece of decorative paper inside the front and back covers to cover the edges of the linen and lace. The same kind of paper was used to wrap the front and back signatures so they would match.
Each signature was folded inside a piece of vintage wallpaper or decorative paper. Here you can see the gap between two signatures in the journal.
I accidentally placed this piece of wallpaper upside down during construction of the journal. I don’t mind because mistakes like this make me smile and remind me life isn’t perfect.
Once the book was sewn together, I stitched and glued the bundle of ribbon rose buds into the spine.
Here you can see the stitching along the spine.
The bundle of rose buds in the spine doesn’t interfere with the book opening fully.
I used a decorative paper punch to punch the edges of pages in random places.
One of the ribbons is threaded in between two signatures to be used as a ribbon bookmark.
This journal will last me about a year because I tend to write very small. I’ve been using it for two months so far and it has shown no signs of loosening and all the lace and gems are glued down tight, even when I slide the journal between books on a bookshelf.
I have to confess that this is the prettiest journal I’ve had in a long time. It’s quite heavy and the covers are soft and silky to hold. All the prettiness has had an unexpected impact on me. Each night, when I pick it up to write, I noticed that my writings have become more optimistic. I’m really glad about that because I have a couple old journals that are genuine but much too sad to reread. This is the perfect journal for this time in my life, a time of transition and full of good things, all sparkled up.